Feminist Fashion

1When we talk about feminism, or, more accurately, the antithesis of feminism, we often bring up the ’50s housewife and/or pinup girl fashion. We envision a woman who wore beautiful dresses and heels every day while milling around the house, dusting, sweeping, and baking a picture-perfect Betty Crocker devil’s food cake for the sock hop. She was subservient to her husband, devoted to her children, and never seen in anything less than her best. She didn’t “work,” though her housework never ended, and her opinions were largely dismissed with a pat on the head.

Thankfully, American society has come a rather long way from that time, now that 47 percent of our workforce is made up by women. And we’d venture to say we’re all pretty happy about that. We’ve rejected most of the things that were treasured in that era, including segregation, blatantly sexist and racist laws (sort of), smoking indoors and Wonder Bread. But one thing we haven’t quite given up is the fashion.

2There’s actually been a rather significant trend of rockabilly fashion, more commonly known as pinup fashion, which evokes a sexier, more exaggerated version of the ’50s housewife aesthetic: Including but not limited to candy-colored dresses, high heels, perfectly coiffed hair, and precisely applied makeup.

And let’s be real: It’s gorgeous. But for those of us who are proud feminists, it can be hard to rationalize loving a fashion style that came from a time when women were oppressed even more so than they are today. There’s no way pinup fashion could be feminist, right? Actually, that’s not entirely true. Here are seven reasons why embracing our inner ‘50’s housewife fashionista is actually empowering for women:

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1. It reclaims femininity in an empowering way.

There’s an antiquated notion that power and self-determination are purely masculine traits. This belief is probably singlehandedly responsible for the rise of the pantsuit (sorry Hillz) in the ’70s and ’80s when women started going into the workforce en masse. The idea was that, in order to be respected, women needed to emulate men’s fashion choices to blend in as much as possible.

We know now, of course, that feminine doesn’t mean weak. A woman can dominate the workplace in a tutu if she so desires — and those ’50s housewives were strong and capable as any man, they just weren’t aware there was another way to show it other than being a good homemaker, wife, and mother. Pinup fashion embraces the gorgeous aesthetic of the era while also propelling it into the 21st century. Its main message: Femininity was and will always be powerful.

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2. It embraces a wide range of body types.

Back in the day, when photos of pinup girls were hung up in army barracks and adorned mud flaps, the women were largely white and largely thin. These days, women of all sizes have been not only invited but encouraged to participate. There’s no height or weight requirement to be a pinup girl. Also, tattoos are welcome (if not encouraged), whereas in most modeling communities they are shunned. So inked ladies needn’t shy away!

The coolest part of this, in my opinion, is that a good amount of famous pinup models do tours around the world, inviting women to come meet them, get their hair done, be dressed in pinup-style clothing, and do a photo shoot with them. Up until her recent explosion to fame, Tess Holliday regularly did this with her fans (and hopefully still will).

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3. The pinup fashion community supports itself.

Fashion can be a vicious industry, especially when models and designers are encouraged to compete with one another for who looks the best. Because feminism is (or at least should be) about women lifting each other up, the feminist attributes of any fashion trend or subculture could be considered dubious when one considers the intense emphasis on competition.

While the pinup community is in no way exempt from this (it is on the Internet, after all), women in the pinup community support each other publicly and frequently help each other out by doing clothing swaps, giveaways, offering makeup and hair lessons on YouTube, and writing tutorials.

74. There isn’t an age limit.

Because pinup fashion is inherently an older style, you can be any age and still rock the look. In fact, the older you are, the likelier it is you or your family has some authentic ’50s fashion items laying around.

8 - Copy5. Quirky is good.

Even though it’s a fashion niche, pinup fashion allows women to express their individual style in tons of ways, whether it’s color combinations, hairstyles, tattoos, or themes in their clothing.

9 - Copy6. Strength is encouraged.

Pinup girls aren’t wallflowers. They’re ballsy, strong and the epitome of in-your-face attitude. They might get strange looks in public but they feel absolutely fabulous and couldn’t care less!

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7. It’s becoming increasingly diverse.

The modern day pinup fashion community still has a bit of a racial diversity problem (that’s another article for another time), but every day there are more and more badass women of color joining the fun. Hopefully they feel welcome, so we’ll see even more inclusivity across the board. Plus, how gorgeous is Angelique Noire in this photo!? More please!

Source: The Bustle

Coco Monday

Model Mondays don’t get better than this.  Check out Toronto native Coco Rocha in “Minerva Is A Diva” by Kristian Schuller for L’Officiel Italia,

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In 2002, agent Charles Stuart approached Rocha at an Irish dance competition and asked her if she would consider modelling for him. At that point, she had never thought of modelling before.  When she did begin to model, her knowledge of fashion was limited.  She eventually gained insight into the fashion world after her best friends crammed in fashion study sessions in between studying for exams.

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Rocha started her professional career in 2004, signing with SUPREME in New York City. Two years later, Rocha met fashion photographer Steven Meisel. Soon, she was featured in an editorial with Gemma Ward and Amanda Moore. The editorial kickstarted her career, landing her the cover of the February 2006 issue of Vogue Italia. The week after, she walked the Spring/Summer 2006 New York City runways for a handful of designers, most notably Anna Sui and Marc Jacobs. Backstage at the Anna Sui show, Rocha met model Naomi Campbell, who held her hands and told her she was “her new favorite model”.

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After the New York Fashion Week, she soon followed by taking part in the Paris Fashion Week as well. She walked for esteemed designers like Stella McCartney, Shiatzy Chen, Christian Lacroix, Emanuel Ungaro, and Marc Jacobs.  During Jean Paul Gaultier’s Scottish Highlands-inspired Fall/Winter 2007 show in February 2007, Rocha opened the show by Irish-dancing down the runway; American Vogue dubbed this the “Coco Moment” and suggested it as a sign that the fashion industry misses the “supermodels”.

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In the May 2007, issue of Vogue (US), she was featured on the cover with models Doutzen Kroes, Caroline Trentini, Raquel Zimmermann, Sasha Pivovarova, Agyness Deyn, Jessica Stam, Hilary Rhoda, Chanel Iman, and Lily Donaldson as the new crop of supermodels.  In 2008 casting agent James Scully said of Rocha:  “I will be the first to admit I did not believe the hype, but within five seconds of meeting her, I was totally charmed and understood why everyone loves her. Some people feel her look is specific, but I find her to be the most chameleon-like of all the girls.”

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Rocha married artist James Conran on June 9, 2010. Conran later became her part-time manager.  On October 6, 2014, Rocha announced via her Facebook page, that she and her husband are expecting their first child, a girl, due in Spring of 2015.

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