Ethical Emma

When Emma Watson isn’t advocating for gender equality as a U.N. Women goodwill ambassador or asking men to fight for feminism, she can be spotted on the red carpet promoting her films. But for Watson, a movie premiere is also the perfect place to showcase her newest cause: ethical fashion.

For press junkets and international screenings of her upcoming film Regression, Watson is taking part in the Green Carpet Challenge, an initiative that’s raising awareness about sustainability, ethics, and social welfare in fashion. Watson’s clothing, shoes, handbags, and jewelry are all from designers considering all parts of the production process, from environmental impact to workers’ rights, British Vogue reports. And she’s Instagramming it every step of the way.

Each event outfit she posts on the photo platform is accompanied by a description of what makes an item fit the bill—for example, designers who refuse to use harmful chemicals, or those that directly oversee their factories to ensure safe working conditions.


Photocall complete with this ‘crazy tweed tulle skirt’ beauty by @christopherkane ! The fabric was screen printed by hand and the garment was made at the Christopher Kane studio in London by the brand’s own Atelier. @PaulAndrew shoes back in action because wearing something you love over and over is the real beauty of fashion– and sustainable! Rings and earrings by @Repossi who certifies the origin of it’s diamonds through certificates with Kimberley Process. Repossi through its conscious approach to sustainability is committed to ensure craftsmanship is well preserved, which is part of the heritage and values of the House. Cuff by @K/LLER COLLECTION which is made in the U.S.A– most pieces are handmade in the designer’s Brooklyn based studio. In October 2014, K/LLER COLLECTION was the grand prize winner of the CFDA/Lexus Eco-Fashion Challenge. Beauty– @charlottehayward @visapyyapy 🙌🙌🙌 @emmawatson

Watson points to The True Cost, a documentary about human rights violations and environmental damage created by the fashion industry, as her inspiration for getting involved in the challenge, which is headed by eco-fashion activist Livia Firth.

The film revealed that as fast-fashion chains such as H&M and Forever 21 have pushed down prices, they’ve come to rely heavily on factories overseas. Of the 40 million garment workers worldwide, the majority earn less than $3 a day. Along with low wages, factory employees—85 percent of whom are women—work in hazardous structures. Bangladesh’s Rana Plaza factory collapse in 2013 killed more than 1,100 workers, and there have been several major factory fires in the years since.


Regram @sarahslutsky Day 2 kicked off with this @WesGordon dress! Love the print which was created in collaboration with London based artist and then produced in New York and Italy! @AlexanderWhite shoes are crafted by hand by artisans in Italy. Alex does not use fur and refuses to use chemical agents that could harm the environment! @Wwake jewelry uses recycled gold whenever possible, and our diamonds are either destruction-free antiques OR conflict-free stones and has developed an in-house studio practice with proper ventilation systems to protect employees health! #PayItForward

Along with the human cost, the film also looked at the environmental cost of purchasing and discarding clothing. Fashion is one of the world’s most polluting industries, second only to the oil industry.

The film called on designers and corporations for additional oversight into the supply chain, but individual consumers can take a stand by purchasing brands that have committed to responsible, sustainable fashion. And with a little help from stylist Sarah Slutsky, Watson shows us that caring about local artisans and sourced fabric looks good.


Final look of the #Regression press junket! This gingham beauty from @isa_arfen who produces a majority of her garments in the United Kingdom and sources fabric from suppliers in Italy & France. The espadrilles from @EmmaWatson ’s closet by @StellaMcCartney. Stella is committed to being a responsible, honest, and modern company. Pledging to find innovative and ecological materials, #StellaMcCartney is pushing the boundaries of what sustainable products can look like. The jewels for this look by @jadetrau who works with responsibly sourced @forevermarkdiamonds (read more about #Forevermarks : ). @charlottehayward on makeup @visapyyapy on hair 😍


Gender Bender

Gender-neutral styles have cycled in-and-out of high-end fashion for decades, but in recent years androgyny has gone mainstream.  In London, popular clothing chain Selfridges recently launched “Agender,” a gender-neutral collection that spans three floors of its flagship Oxford Street store. Here in Toronto, there are a handful of brick-and-mortar and online shops that carry unisex clothing and accessories, including Parloque, Muttonhead and our friends, Future is the Future.


Future is the Future is a Toronto secondhand and small-run for all genders

What these trendy retailers have in common are loyal consumers who embrace a gender-free way of dressing.  And according to one Toronto fashion insider, that customer base will likely get bigger.  “Gender-neutral fashions will be something that is more enduring,” said Marilyn McNeil-Morin, chair of fashion studies at Toronto’s George Brown College.  She believes the gender-bending style, with non-body conscious cuts designed to complement anybody’s figure, will be more than just a fleeting fascination. She predicts it will become a lasting style.

thecorner-com_no-gender’s “No Gender” campaign.

“I think we’re going to see a lot of it, and it’s going to last because it’s very wearable and practical,” adding that the terms gender-neutral, unisex and androgyny are interchangeable.  “When it was done before, it was done specifically for women,” she explained, referring to the androgynous look where traditional male clothing was cut to fit a woman’s curves. “But what we we’re seeing now is the same piece can be worn by men or women.”

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A model wears the Dundas boot from Blanc de Noir‘s gender-neutral footwear collection

That crossover, however, may pose a challenge to some designers, who may have relied on traditional gender-based sizing in the past to construct their pieces. But McNeil-Morin says this hurdle provides an opportunity for creativity.  “I’ve seen some designers approach it using more flowing kinds of pieces where the fit is less of an issue, so it can be worn by a man or a woman,” she said.


Tilda Swinton – The Gentlewoman

“We think the wearer should decide the gender of the piece, rather than the piece itself,” says designer Miah Mills. “It’s the person who makes the person, not the clothing or what they wear.”

What are your thoughts on unisex one-size-fits all clothing?  It’s Let Rebena know in the comment box below!

Source: CTV, Future is the Future, Blac De Noir

Designer of Warrior Women


Ann Demeulemeester ||| Menswear SS14 ||| Dazed

Ann is a Belgian fashion designer whom created her first label in the 1980’s.  Her designs are perfectly cut, monochromatic garments with a blunt edginess and a punky femininity for women with a strong sense of personal style.  I love how “warrior woman” her designs feel.